VOX: Do you think the rap/rock style is on the way
out?
Bryan Scott: Yeah, maybe in the form we're hearing now. Reinvention is essential in
any genre. Some of the bands will reinvent themselves and continue to thrive, like Korn
and Limp Bizkit. There are just so many of them, and they all follow the same formula.
VOX: It seems like the labels are searching for the next Korn
BS: Yeah, that definitely fueled the fire. Bands knew if they were writing a certain
kind of material, they were sure to get a deal.VOX: How did the Union Underground
come together?
BS: Pat and I go back over ten years. We were 14 or 15 years old, right before high
school, like ninth grade, hanging out playing guitar in our rooms and we put together a
band, so the Union Underground has been around for years. Pat and I connected right away
and had the same vibe. We just kept working at it until we found the right line up.
VOX: Where did the name come from?
BS: It's what we call
we had this little studio we used at the back of a friend's
house, and it was called the Underground Union. We would go there to create, write, jam,
and the Underground Union had this vibe to it - Pat suggested we change the words around,
and there it was.
VOX: How would you define your sound?
BS: That's a hard question to answer. We're a rock band. Not metal, not hip-hop, not
rap-metal, not anything other than a rock band. I hate to attach labels or be labeled.
We're a rock band.
VOX: Who are your musical influences?
BS: Personally, and I think for the entire band, Alice In Chains are a huge influence.
They're probably the biggest, but there are a million others. Guns 'N Roses are a band
that got me really wanting to play in a band. "Welcome To The Jungle" just
fucking freaked me out and made me have to play. GNR and that attitude. Right now, though,
I've been listening to the Ultimate Tony Bennet CD. I'm serious. I have a really diverse
taste, and I'm not ever just into one thing.
VOX: Was there something you wanted to get across on An Education In Rebellion?
BS: Uh, well, An Education, the title, is not from some political motivation or
social motivation. We're not telling kids to fuck authority or your parents. It can be
misunderstood. It's about the personal rebellion that was what we grew up with. Nothing we
do and nothing we've done since an early age can be called "normal." We've lived
outside of normal boundaries. Living this life and playing in a band is not normal. It's
about our personal rebellion.
We're not trying to discourage people from taking their own interpretation from it. I
think it's cool that people get something personal from it, but I just want to make it
clear that we're not trying to encourage kids to rebel.
VOX:
"Killing The Fly" is the current single - tell me about it.
BS: That one, actually, is almost three years old now. We were playing an older,
different version for a year or so, then went back and wrote different music for it. The
song itself is about what I was talking about before - when we were pursuing this dream,
we had to have tunnel vision for years. You sacrifice a lot - you sacrifice relationships
and shit like that. It's hard, and the song is about the way you feel about that, and
about being on the road, and being willing to break down anything that gets in your way.
It's got a little bit of regret in it, and it's got plenty of rage in it as well.
VOX: How about "Turn Me On Mr. Deadman"?
BS: Lyrically, there's that nod to The Beatles and "Revolution #9". I wrote
it down years ago, but the lyrics really have nothing to do with The Beatles. It's more
sarcasm and making fun of rock stars and how they act. So many of them forget about the
times when they were 17 and thinking about quitting and forgetting about when they were
poor. We were poor for years, but we had to take our shot and we wanted to keep our
integrity. Some rock stars forget that shit and we wanted to take a stab at them.
VOX: Where does the inspiration come from?
BS: Mostly all personal experiences
something that happens, something I see on TV
or read about. It could be anything.
VOX: What's the last day job you had?
BS: Day job? I've been doing this since high school. We put the stuff together and
wanted to get a deal and do our own thing. I feel lucky that I've been able to make money
at music and not had some fucked up day job where I had to spend forty hours a week doing
something I hate.
VOX: What do you think you would be doing if you weren't in a band?
BS: I don't know. It's never crossed my mind. I've never looked back and wondered what
I would have done - no "what ifs" - we just hit the edge of the cliff and jumped
in, man.
VOX: Are you into the Internet - do you see it as an important medium for the band?
BS: It's huge for us. Wow, huge, man. It's amazing that we survived without
it
that the world survived without it. We answer all our own shit, man. Hundreds a
week, individually. We try to respond to all the fans, as well as meet them after shows,
at meet and greets and whenever we can. We never want to cut the lines.
VOX: What's up next for The Union Underground? Crazy Town, right?
BS: We'll be taking April off. It's been awesome, but we've had 2 weeks off in nine
months. We can use a little break to recharge and get ready. In May we head to Europe for
Euro Ozzfest dates, hitting Germany, London, Paris. It'll be our first time for many of
the places. We'll be with Ozzfest all summer, and then us and Crazy Town will be doing
some one-offs.
VOX: How would you describe UU live?
BS: Definitely intense. We definitely like to put on a real show and go beyond the
basics and then "Thank you, goodnight." We like to use cameras, lights and
whatever else we can. It's like taking all the cool shit from a big U2-like show and
bringing it to the club. We want people to walk away with an experience, not just a
concert.