It's no surprise that theStart's
first record, Shakedown! made it on to a number
of 2001 "best of" lists. Each of
the band's members has been on 'the scene' for some time and they know what it takes to
make good, solid rock infused with catchy hooks and high-quality songwriting. Singer Aimee Echo and drummer Scott Ellis cut
their teeth in Human Waste Project, which garnered plenty of fan attention but little
media vibe. Keyboardist Jamie Miller served
time as drummer for LA scene giants Snot and bassist Jeff Jaeger came from Sacramento's
very own Smirch (not from the NFL). Once the foursome came together, pulled together a record deal and found the
right producer in the form of Josh Abraham (Orgy, Deadsy), the result was a record,
Shakedown!, that merged the best of '80's synth-pop with 21st century set of
rock ideals. Beginning with the title track
and the energetic first single, "Gorgeous" and continuing right on through the
duration of the record, it's easy to trace the influences right back to those '80's
classics.
After spending the latter half of 2001 touring with Incubus, Weezer
and Sugar Ray, the alternative rock media couldn't help but take notice and give Shakedown! a proper listen.
We had the chance to chat with Aimee Echo, who is a legend in the LA
scene, and find out what got things Start-ed and the inner workings of the recording
industry
VOX:
Let's start with the genesis of theSTART
Aimee
Echo: Ok, um, let's see
a while back I was in a band with Scott called Human Waste
Project - we happened to be lucky enough to go on tour with Snot, and Jamie was in Snot,
so we knew him from there. We all lived in
this house - a couple of guys from Snot, Scott and me, plus a model, a photographer, two
dogs, two cats
eventually we realized that we have a band worth of people in this one
house. When our different bands ended, this
just sort of accidentally
evolved.
VOX:
You've been in the scene for quite some time - is it harder to start something new or does
it become easier?
AE:
It's easier, it really is. Starting from
scratch is really, really hard - club owners don't want to let you play and they don't
care about you. Everyone wants to play, and
after you've been around, you know the club owners and know who to talk to and you know
how to get it done. People say it's more
difficult to get a record deal once you've had one, but I don't think so. I think it's easier once you know what you're
doing and how to go about things.
VOX:
Do you think you've been jaded by the industry?
AE:
Are you kidding? Of course. Well, maybe not jaded, I don't know. I do know I could teach a class - Music Industry
101. I'm not tripping over myself, that's for
sure.
VOX:
What do you think of the LA scene?
AE:
Um, I think that the LA scene doesn't really happen like you would think. It has it's sporadic moments, but I don't think
there's been a strong scene for some time. It
kinda goes from genre to genre - each one has sort of a baby scene. There are some great bands out there that deserve
the chance - Tape, Enemy and Deadsy all deserve some attention.
VOX:
Where do you see modern rock heading?
AE:
It's in a testosterone-induced haze, currently, but I think the pendulum is about to swing
back. The originators of the genre had a lot
to say - Rage [Against The Machine] were fantastic, and the Red Hot Chili Peppers are
great - but then all the hybrids came in their footsteps, and then every label wanted to
create the next band that sounded like all the others.
It's become overdone and homogenized. Fans
are starting to get bored really easily, listening to the same old thing all the time. My CD collection is really varied. You have to look to find the great stuff.
VOX:
What, to you, was the most critical element to completing the new album? What were you after?
AE:
Wow
we were really focused on the songwriting, which is something we hope comes
across. Everything has been done before,
right? Isn't that the saying? Well, we wanted to do it a little differently and
put our mark on it. We put the focus on the
songwriting.
VOX:
Let's talk about the music - what is your favorite song and why?
AE:
Oh! They're all different and special to me
for different reasons. Some are older and
some are newer, so time plays a factor as well
right now, "Her Song" is
probably my favorite. It's special to me
because it almost didn't make the record, but it was like, "No. We have to do this."
VOX:
What is the first single, "Gorgeous," about?
AE:
It was my attempt to write
a lot of the songs I write are love songs, but I set out
to write a true love song. I've written lots
of "I love you/I hate you" songs. I
think a lot of that comes from the Robert Smith influence
VOX:
Are you a Cure fan?
AE:
Oh, yeah! I love Robert Smith.
VOX:
My favorite song is probably "Her Song." What's
it about?
AE:
It's about, actually, it's written from the point of view of a couple of different people
in my life - I wanted to put myself in their shoes.
It's the classic "You left me for her" type of song.
VOX:
What are your expectations for this record?
AE:
I'm really trying not to have any expectations. I
hope people will appreciate it for what it is. I
don't want us to get stereotyped or lumped into something.
Humans have a need to categorize and put things into a certain order. We want them to say, "They are
theSTART." Hopefully that will be enough
and we won't end up in some specific category.
We're
also planning to tour constantly, which we think is one of our stronger points - the live
show.
VOX:
What can we expect from theSTART's live show?
AE:
A raucous time. We put on a pretty energetic
show. We all end up in pain when it's over. There will be lots of sweating, too. Like I said, it's one of our strong points. |